Archive for March, 2016

The Easter Parade In New York 2016!

Posted in The Easter Parades with tags , on March 31, 2016 by playthell
IMG_7729Coddling the Easter Bunny on 5th Avenue

Portraits from Easter Sunday in New York 

I love to be in New York during the Easter holidays because there is nothing like the Easter Parade in the City.  I can still remember vividly the first Easter I spent in the Big Apple when I was a teenager in high-school.  I cane up from Florida when school let out for the holidays to visit my Uncle Jimmy, who lived in a big beautiful Brownstone in Brooklyn.  On Easter morning my cousins and I hopped on the A train at Fulton Street and swooped up to 125th Street, Harlem’s main drag.

From the moment I emerged from the subway the scene was startling; elegantly dressed black folk were everywhere stylin and profilin in their Easter outfits.  Easter had been a big deal in Florida but this was like another world; everything was bigger and more dramatic.  After all, New York was then as now the fashion capitol of the world.  A great garment industry was based here and it seemed that everybody was sharp.  The experience left an indelible impression on me,  and to my eyes Harlem seemed the most glamourous place in the world!

When I moved to New York years later I also wanted to see the Easter Parade on 5th Avenue, mainly because of the marelous rendition of“Easter Parade” recorded by Sarah Vaugh and Billy Ekstine, two of the greatest singers of the 20th century.(Click the link at the bottom of this page to hear recording)  The poignant romantic portrait they paint of elegantly dressed folks promenading on Fifth Avenue, where most of the City’s great parades are held, was beguiling and I soon joined the Easter revelers.

Hangin Out on easter Sunday circa 1984

Lisa's Edit on Family Pic

Playthell, June and their Twins Makeda and Samori crusin in the Apple

 Every year we would dress to the nines with our kids and stroll down 5th Avenue.  Although my children no longer observe this tradition, I still get dressed and hang and “represent on the Five” every Easter that I am in New York.  And since I became interested in photography it is one of my favorite places to make pictures…images of  high fashion and sartorial grandeur, the art of self-decoration.

However, as it was in the beginning, I always start my Easter promenade uptown in Harlem, where some of the best dressed folks in the city are to be found. Then I work my way downtown – one gorgeous picture of a beplumed Asian lady was actually shot on the subway. Below are some of my favorite images of the Easter Parade 2016, uptown and downtown.

These Photographs were shot in Harlem, Rockerfeller Center, Fifth Avenue and Greenwich Village, from the top to the bottom of Manhattan Island.  And it is a visual kaliedescope of the “gorgeous human moasiac,” as former New York Mayor Dinkins was fond of describing New Yorkers.

 Click to hear “Easter Parade” by Vaughn and Eckstine
 https://youtu.be/gT2yCDXPdoI

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The Easter Parade in Harlem

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Abyssinia Fashion Fair Vintage Edit III

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Antonia

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Abyssinia Fashion Fair Edit I

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The Easter Parade Downtown

Asian Ladies at Radio city

The Chinese Ladies Dining in Rocjerfeller Center 

Asian Ladies on Easter

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Aisian Lady in Hat

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China Ladies -Edit I

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China Ladies -Edit I

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The Honey Mooners

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In Greenwich Village

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The Wackiest Hat in the Easter Parade

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Playthell G. Benjamin
Harlem, New York
Easter 2016

On The Elegance of Afro-America!

Posted in Cultural Matters, Photo-Essays with tags , , on March 19, 2016 by playthell

Jazz Dancers

Scrapple from the Apple: Bebop Dancers in Charlie Parker Park

Black Style as a Weapon of Liberation

A Multi-Media Photographic Exhibition and lecture

The exhibition which opened at the beautiful Dwyer Cultural Center in Harlem on March 6, 2016 consist of a gallery showing select portraits I shot in Miami, Los Angeles, Atlanta and New York of  Afro-Americans just going about their business – some of whom are quite prominant persons.  I call these photographs “living fashion,” as opposed to a staged event or “fashion show.”  The gallery exhibit was accompanied by a lecture explaining how the traditional Afro-American penchant for elegance grew out of our struggle for human rights and personal dignity against the anti-black racism of white Americans; a set of beliefs that promoted white supremacy while subjugating Afro-Americans institutionally and ideologically.

The expression of elegance in self decoration over time is illustrated in the images shot by photographers from the 19th and 20th centuries.  Following the lecture “The Evolution of Afro-American Style as a Weapon of Liberation,” a slide show accompained by music was presented comprised of 275 photographs.  The exhibition is divided into three parts: Sophisticated Ladies, Duets and Old School Cool Rules!

The Afro-American tradition of high style cannot be understood aside from the racist history of the United States.  The most powerful theme in American history is the persistence of white racism.  It ebbs and flows with the tenor of the times but it always returns like the nightmarish melody of a bad song.  One could argue with convincing evidence that the main reason for this persistence is the need to justify a history of racist policies that include some of the most odious crimes against humanity in world history.

The white settler colonialists from Europe who landed in the America’s fleeing myriad oppressions – religious, ethnic, political and “racial” – disregarded the rights of the original inhabitants, Native American “Indians,” and stole millions of acres of fertile lands at gunpoint. When the Indians resisted, as any people would, they were slaughtered as the whites adopted a policy of genocide killing men, women, children and the elderly.  No one was safe from the ravages of this land hungry flotsam of European Society.  This was America’s Original Sin, and it was central to the birth of the United States.

When the Native Americans proved inept at performing hard labor for long hours in the hot climates that the system of plantation production required, these planter / capitalists bought African workers from international slave traders, the greatest of which were the pious New Englanders with their swift Yankee clipper ships; despite their praising the virtues of freedom ad nauseum.

The requirements of the labor intensive plantation system meant that atrocities were standard fare; an essential element in the relations between the planters and slaves. Horrendous acts that were common practices for 250 years in the US -such as denying Afo-Americans the right to marry and selling our children as if they were piglets – are now viewed with such horror that white Americans are engaged in a wholsale denial of their blood stained history as oppressors in favor of myths like “American Exceptionalism.”  Texas, one of the nation’s largest states, is trying to write the slave era out of their history textbooks altogether. Yet this and legal caste oppression based on skin color cover two thirds of American history!

This presented a serious problem for the emerging American nation, which claimed to be a “Christian Nation” that cherished the Ten Commandments and followed the teachings of Jesus Christ.  In a desperate attempt to camouflage this glaring contradiction between the lofty ideals of the nation and the realities of their sinful inhumane policies, they denied the humanity of black people with pathological theology and pseudo-scientific theories of white superiority. And they created a racist iconography to give visual expression to their bogus claims.

For Black Americans, suffering under the oppression of white supremacy in law and custom, statute and etiquette, subjected to constant psychological warfare by a barrage of racist imagery from the media of white America – which reached its apogee in the black face minstrel show – the style in which we decorated ourselves became a weapon in the struggle for liberation.

We dressed for success long before this idea became au courant here in the 21st century.  As was revealed in the exhibition “Reflections in Black: Smithsonian African-American Photography,” curated by photography historian Deborah Willis and mounted at the Studio Museum in Harlem,  almost from the moment Afro-American photographer Jules Lion introduced the art of daguerreotypes in 1840, black photography shops began to pop up all across North America.  Among these were Augustus Washington in Connecticut; Daniel Freeman in Washington, D.C.; Harry Shepherd in Minnesota; and James Presley Ball in Cincinnati Ohio and Helena Montana.

A major reason why black photographers flourished in in 19th century America is due to the advocacy of Frederick Douglass – the great abolitionist orator, writer, publisher and premiere spokesman for what Dr. DuBois would later call the “Spiritual Strivings” of Afro-Americans. Douglass quickly recognized the power of this new art form as a potent weapon in the fight against the racist and degrading caricatures of Afro-Americans designed to deny our humanity by painting us as animalistic brutes.   Douglass, arguably the 19th century’s most insightful and prescient observer of socio-political developments, as well as the most powerful voice advocating the abolition of slavery, was also “the most photographed American of the 19th century according to the authors of the seminal book “Picturing Frederick Douglass: An Illustrated Biography of the Nineteenth Century’s Most Photographed American.” 

Pretty Fred: The Patron Saint of Black Cool

A Photo II-Frederick Douglass 1848 - Gift to Susan B. Anthony

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Frederick douglass III

The Best Dressed Man in 19th Century America?
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The  authors tell us “Frederick Douglas was in love with photography, during the four years of the Civil War, he wrote more extensively on photography than any other American, even while recognizing that his audiences were “riveted” to the war and wanted a speech ‘only on this mighty struggle.’  He frequented photographer’s studios and sat for his portrait whenever he could.  As a result of this passion, he also became the most photographed American of the 19th century.”  This was not mere vanity, but a planned offensive in the protracted psychological war white Americans was waging against Afro-Americans, a war in which racist propaganda was their most powerful weapon

Douglass understood their strategy well, for instance he pointed out that whites always put forth the most attractive images of themselves and urged Afro-Americans to follow their example by dressing up in their finery, have themselves photographed, and whenever possible make those photographs public.  This is why Douglass looks like a fashion plate every time we see him. He set the example by practicing what he preached!

It is in that spirit of self-celebration, and the ancestral imperative of celebrating the insightful and intrepid photographers that captured that tradition of elegance and preserved it for us, that this exhibition was mounted.  I believe must now preserve images of this tradition in our time to inspire generations yet unborn.  Note: This is a multimedia presentation, see video and sound links at the end of the essay.

Playthell Lecturing at the Opening of the Exhibition
Playthell lectuting at his Pfoto Exhibition 3 -6-16
“On Black Style as a Weapon of Liberation”

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A Black, Brown and Beige Fantasy

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The Grandest Lady in the Easter Parade
Big John at the Living Legends Awards in LA

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CEO Warner-Chappell Worldwide
The Word Sorceress!

Jessica Care Moore (2)

Poet Jessica Care Moore at the National Black Theater in Harlem
Jessica Care reciting - great side shot- (2) Mesmerizing the Audience with her Verbal Alchemy
The Best Dressed Man in Congress!
Photo I- Charlie Rangel
The Honorable Charles Rangel Hanging Out in Harlem
Abiodun's Tribute 115
Classic Harlem Style before the Hip Hop Fashion Disaster
Thespians at the Audelco Awards

Seasoned Beauties

At the Mecca of Black Theater in New York

Perla Negras!

Photo XIII- Perla Negras

Hot Chocolates
A Sophisticated Lady

Photo XII-Michelle

Actress/Producer Michel Turner

Michele Edit XIII

Conjured from the Golden Age of Black Atlantic City
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 A Seasoned Hottie
The Maestro!
Wynton in Berkley
Wynton Marsalis: The World’s Greatest Trumpeter
Artistic Director, Jazz at Lincoln Center
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The Songbird
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We were Mesmerized  as Celestial Blues filled the Room
An Evening at the Theater
Holder and Scott
Award Winning Historical Playwrite Laurence Holder and Jazz Diva Cynthia Scott
Dr. Logan Westbrooks and Wife Gerry at Living Legends
Dr. Westbrooks
 The Businessman/philanthropist and his Educatoer wife Arrive in their Bently
 President of the Oakland City Council
Oakland II
At the University Of California at Berkley to Hear Wynton and the JALC Orchestra
President Oakland City Council
A Woman of Elegance and Gravitas
Harlem’s State Senator  

Senator Perkins

The Honorale Bill Perkins, setting the Sartorial Standards for the Empire State
Lady Lana Turner: Harlem fashionista
Photo XI- Lana
Businesswoman, Dancer, Bon Vivant
A Swinging Centarian
A Centarians Birthday
Celebrating her 100th Birthday!
Big Ups to the Dwyer Cultural Center!
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Harold Thomas adds an Expert Eye
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The Opening was a Smash!

The Audience was as Elegant as the portraits on the Walls
A Seasoned Brown Fox
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A Vintage Beauty Edit III
A Sizzling Senior Citizen 
 The Don!
Don Raphael -Edit I The Essence of Old School Cool
Poet /singer Don Raphel with Actor / Director Rome Neal
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Killer Dillers!
A Statuesque Beauty 
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Kil and Poet -Edit VII
The Opening was a Sold out Affair!
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One of three Theaters that are linked by Video Ccreens
Renowned Photographer Lisa Dubois was there…..

Lisa Edit I

With her inimitable Style
Lisa and Lana
Lana and Lisa Edit II
Made quite the Dynamic Visual Duo
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The Gallery Was Packed!
 Keeping the Tradition of Frederick Douglass Alive!
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Sunday at the Horse Show
A Public Intellectual Defending President Obama’s Achievements
Droppin Science at Springfield College
Explicating Complex Problems of Politics and Policy at Springfield College
Professor Benjamin Lecturing on Jazz  at Conference on American Studies 

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At the Sorbonne in Paris
Photo by: Dr. Henry Louis Gates, Professor of Humanities at Harvard

LIVE ON WBAI NEW YORK!

At WBAI Jpeg

An Award Winning Producer Reading Commentaries on the Times for Thirty Years!
A Master Percussionist in Performance

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At Red’s Java House in Sanfrancisco
Making a Super Match in the Boxing Business
scan0002 Sugar Ray Leonard and Marvelous Marvin Hagler for Middle Weight Championship!
 A Newly Wed
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 Playthell and June Benjamin Circa 1977

Easter Sunday circa 1984

Lisa's Edit on Family Pic

Playthell, June and their twins Samori and Makeda Hangin out in New York
The Twins All Grown Up
Playthell&Samori II
 Playthell and Samori
Playthell and Makeda

Playthell and Makeda

These last three photographs of Playthell and Children were shot by:

Hakim Mutlak

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https://youtu.be/_8LLfFY9pQg?list=RD_8LLfFY9pQg
Playthell G. Benjamin
Harlem, Spring 2016

 

Is Donald Trump a Uniquely American Fascist?

Posted in On Donald Trump, Playthell on politics with tags , on March 14, 2016 by playthell

Republican presidential hopeful Donald Trump speaks at his South Carolina campaign kickoff rally in Bluffton, S.C., Tuesday, July 21, 2015. (AP Photo/Stephen B. Morton)

Inciting the Passions of the untutored reactionary mob

On Fascism American Style

“It all depends on me”
Adolph Hitler, Nazi Rally
We are going to do things that nobody else can do…who can fix things better than me”
Donald Trump, Vermont rally
“Make Italy Great Again!
Benito Moussilini
Make America Great Again!
Donald Trump

 At first glance the rise of multi-billionaire real estate mogul Donald Trump as a hero of the white working class seems paradoxical; since his interests and that of his class and cronies are diametrically opposed to the concerns and interests of workers.  Alas Trump’s appeal to that class of voters reflects the age old tendency for desperate people to turn to the “strong man” for salvation; they invest this savior figure with nearly omnipotent powers and come to believe that their fate depends on him.  These are ideal conditions for the rise of demagogues and dictators.  More often than not such men are megalomaniacs who come to believe that they alone can lead the nation.

That’s Donald Trump’s view of his role in American politics…the man who will “Make America great again,” just as Benito Mousolini pledged to “Make Italy Great Again.” and he reminds me of another charismatic megalomaniacal demagogue: Adolph Hitler, who pledged to restore Germany to her former glory and create a regime that would rule the world for a thousand years.  Furthermore, even as I write many people who attend Trump’s rallies conjure images of German Brown Shirts at Hitler’s Rallies; snatching signs from protestors, verbally abusing them and even physically assaulting them, and shouting the Nazi slogan “Lugenpresse!” at reporters.

Furthermore, they conduct these odious anti-democratic activities with the urging of Donald Trump, who told his security people to throw a protestor out and “confiscate his coat” although they were in Vermont and there was freezing weather outside! Things have gotten so bad that a rally at the University of Chicago degenerated into a full scale brawl and Trump’s appearance had to be cancelled.  Trump’s home town newspaper – The Daily News – who know him best summed up Trump’s campaign in bold headlines on its cover page: “BLOOD ON DON’S HANDS.”

Verbally assaulting dissenters in the audience was also a tactic employed by George Wallace – a home grown white Fascist – and can be seen on films of his mass meetings.  As I write Tom Turnipseed, the Executive Director of George Wallace’s presidential campaign in 1968, when he was the candidate of the American Independence Party,  says that Trump is running a campaign very much like that of George Wallace!   This is no picayune matter, beause the Independence Party was based on the same racial ideology as the German Nazi’s, who borrowed it from the USA – see “Some Unpleasant Truths.”* The reason that Tom has come forth is because he and Wallace would later repent for their racist deeds and denounce racism.  Hence his comments about the Trump campaign are enlightening and offer rare insights that cannot be found elsewhere.

“They both understood the use of fear” says Turnipseed.  With Wallace it was “the blacks are taking over, with Trump its Mexicans and Chinese.  They are a lot alike.” Peggy Wallace Kennedy, George’s daughter, who has denounced her father’s racist past, says Trump is nastier than her father. Mrs. Turnipseed, Tom’s wife, pointed out yet another way that the Wallace and Trump political styles are alike.  “They attract large crowds and get people all fired up and angry by describing the problems they face, but they don’t offer any solutions.”

Hence the American Independent Party, which was organized by George Wallace as a white Christian Nationalist party, mostly composed of working class Protestants that openly advocated white supremacy enforced by the legal and extra-legal use of organized violence had much in common with the German National Socialist. All of these factors are characteristic of a fascist movement and can be clearly observed in Trump’s campaign.

Alas, one need only compare the podium styles of classic fascist leaders such as Hitler and Mussolini to  Trump’s stump style in photographs and film – – i.e. hysterical facial expressions and body language accompained by hyperbolic belligerent rhetoric – to recognize the similarity of their modus operandi.  Furthermore, if one conducts a comparative analysis of Hitler’s speech which preceded his declaration of war on the US, with Trump’s speech in Vermont on January 8, you will find that both speeches are based on a series of blatant lies!   Yet in both cases their adoring audiences clung to their every word as if it was the gospels, and their response bordered on the kind of mass hysteria one observes among religious fundamentalists…true believers.  (See the video links below)

Adolph on the Stump
Adolph Hitler III
Inciting the untutored Mob
Donald Trump on the Stump

Republican presidential hopeful Donald Trump speaks at his South Carolina campaign kickoff rally in Bluffton, S.C., Tuesday, July 21, 2015. (AP Photo/Stephen B. Morton)

Benito Mussolini
Benito Mussolini II
Notice the hysterical expressions on all their faces!

Ever since I became aware of the history of European political movements in the twentieth century, a little over fifty years ago, I have heard speculations about the possibility of those radical European political movements succeeding in the USA: especially Communism and Fascism.  I was first introduced to this discourse by old activists on the left; many of them had been radical unionists who believed that the advent of socialism was inevitable because the increasing inequality of income and wealth under capitalism would result in a revolt of the masses against the plutocrats led by the organized working class.  As Marx put it, the inherent contradictions in the capitalist system “will produce its grave diggers.”

Hence choosing a plutocrat as their leader makes as much sense as poor whites in the antebellum south, whose poverty was the result of the fact that they were competing with the slave laborers of the planter class, going off to war to fight and die to preserve this system, and the descendants continue to celebrate this shameful historical embarrassment!

White workers then, and now, are caught up in a tragic paradox.  And the poor southern whites who reject Barack Obama, the best friend they have ever had in the Oval Office, or is likely to have in that Office, in favor of a cynical, coldblooded plutocrat and vain braggart like Donald Trump – a soulless demagogue who is simply exploiting them with empty rhetoric and couldn’t care less about their concerns.  “The Donald” wouldn’t piss on one of these poor whites if he saw them on fire during a stroll in Central Park.

Of course the view of the western proletariat as the historically appointed leader of the world revolution that would end the exploitation of the working class by capitalists was conceived in the 19th century by the brilliant political economist/materialist philosopher Karl Marx.  However as the Chinese American philosopher Grace Lee Boggs pointed out in a conversation with this writer, “Marx could not have even imagined the world we live in.  In Marx’s time smokestacks in large cities were viewed as a sign of human progress; today we know that they could spell our doom.”  I have also talked to many skeptics who believe that the white American working class is more likely to support fascism than socialism.

Alas, judging from the swelling crowds of white workers that greet Donald Trump’s every public appearance; they may prove to be right!  Everywhere Trump goes he is greeted with tumultuous applause reminiscent of the kind of crowds that turned out for Sarah Palin – the former Republican Vice-Presidential candidate whose principal contribution to American politics was to make ignorance fashionable, and the rejection of reportage from reliable journalistic sources.  Through her persistent use of the term “Lame Street Media,” the Alaskan Barbarian has convinced the “Dumb Doras” and “Joe Six Packs” to be suspicious of serious news organizations that strive for objectivity, in favor of the politicized propaganda of unreliable sources like FOX Network news or empty talking radio heads like Rush Limbaugh and Sea Hannity.

These people, who number in the millions, are so confused about the political forces at play, and which of these players are committed to addressing their pressing economic and cultural concerns – i.e. returning prayer in schools; outlawing abortion; banning gay marriage; et al – that they have fallen under the spell of a verbose megalomaniacal ignoramus who may understand business but very little about history, sociology, science, foreign relations and military matters.  All of which are essential tools for good governance in the complex political and natural environment of the 21st century.  Trump’s speech at Vermont on 1/8/2016 is a model of the phenomenon that I am describing.  All the factors are there.  In many ways he reminds me of Hitler, but in a wholly American way.

If Adolph Hitler had not been a militaristic  Austrian Corporal drunk on German romanticism and myths of Nordic superiority, but a pragmatic fast talking New York real estate huckster with a salesman’s gift of gab; a television reality show host who has mastered the medium;  gifted with a comedian’s timing and a friendly fascist smile, he would be Donald Trump.

In his book “Friendly Fascism,” written 35 years ago,  Bertram Gross makes the following observation about the character of American Fascism: “ The unifying element in this unfolding logic is the capital-accumulation imperative of the world’s leading capitalist forces, creatively adjusted to meet the challenges of the many crises I have outlined. This is quite different from the catch-up imperatives of the Italian, German, and Japanese leaders after World War I. Nor would its working out necessarily require a charismatic dictator, one-party rule, glorification of the State, dissolution of legislatures, termination of multiparty elections, ultranationalism, or attacks on rationality.”

The essential truth of this observation is verified in the rise of Donald Trump.  However I would point out that in Trump we do not have a “charismatic dictator” only because the American system of checks and balances will not allow it.  But Trump is a “charismatic revivalist,” who plays the same role of all-knowing “strong man” who express the anxieties and grievances of his followers with dynamic oratory that convinces them that he alone possesses  the will and the way to solving the nation’s pressing problems.  Furthermore they are also “Ultranationalists” and regularly assault logic – even the indisputable truths revealed by the scientist of climate change.  Hence in Trump and his followers we can clearly observe several prominent features of classic fascism in the “Friendly Fascist” that Gross outlined.

The audience Trump was speaking to were bummed out white workers and people struggling to remain in the lower middle class. It was obvious from their responses to the mindless drivel flowing from Trump’s pie hole, masquerading as serious political oratory, that these people are the proto-type of “Low Information Voters.”  Poorly educated, disillusioned, frustrated, struggling white workers; many of whom are lost souls that witnessed their world of white privilege disappear like ice sickles in the blazing sun.  They are the same demographic that brought Hitler and Mussolini to power in Germany and Italy during the 1930’s.

One has only to listen to the daily broadcast of Rush Limbaugh to see why he has been branded an American clone of Dr. Joseph Goebbels, Minister of Propaganda for the Nazi Reich, by Arthur Fromer; who was part of a US Army intelligence team dispatched to Germany right after the fall of the Reich to investigate the critical role of radio in the rise of Nazism.

Since I have already written about this issue I will not belabor it here (see: Is Rush an American Goebbels”)   Hence Fromer knows whereof he speaks and is as close to an unimpeachable source as one is likely to find.  It is enough to witness Sarah Palin firing up the crowd with racist anti-Obama rhetoric at an outdoor rally in Strongsville Ohio and compare it to film footage of Hitler and Mussolini – see clips at bottom of essay – to recognize that they are the same class of phenomenon.

Alas, Trump has infinitely greater means to communicate mass propaganda, since neither television nor the internet existed during the rise of the Nazi’s.  And this augmented power to beam controlled messages in sound image and text into the brains of millions of Americans means that Trump can create the hysteria the Nazi’s produced in the German people in far less time.

Although several of Mr. Trump’s fellow Republicans have openly called him a “Fascist,” none have defined what they mean by it.  Originally this term was designed to describe several far rightwing movements that developed in Italy, Germany and Japan in the first half of the twentieth century, spawning dictatorial regimes that promised the people economic prosperity and a return to national greatness.

This was the mantra of the Fascist Party in Italy, National Socialist in Germany, and the Empire of the Rising Sun in Japan.  Each of these regimes had their individual characteristics; which is determined by national character and cultural styles. These are precisely the same things that Trump is promising although with a made in America style that resembles a television game show host – a uniquely American invention.

Hence Hitler’s militarism has deep roots in German history and culture.  A highly intellectual culture, thoughtful Germans had long debated the relative merits of the soldier and statesman vs the philosopher and poet to society.  Which was the higher calling?  At times, the ever present militarist tradition of Prussia ruled the nation’s sensibilities, and it is that tradition that Hitler tapped into as he campainged in the aftermath of the German defeat in World War I and the imposition of the humiliating terms of the Versallies Treaty on Germany.

The Japanese before World War II considered the Emperor a divine figure and the military was the emperor’s sword. With a long and brilliant military history based in the Samurai tradition, they confronted the rising tide of white world domination expressed by the invasion of the colored nations, colonizing them, stealing their lands and resources while reducing them to slaves in their own countries, yet the white nations of the world refused to even consider Japanese demands that racism be made a crime under international law at the 1919 Versailles Conference to shape the new world order in the aftermath of World War I.

Hence the Japanese militarized their society and declared the right of Japan to build an empire across Asia by armed force in the name of their divine emperor.  The called it “The Empire of the Rising Sun,” and adopted the slogan “Asia for the Asians.”  For an insightful and broadly learned analysis of this development see “Race War” by the distinguished historian Dr. Gerald Horne.  And Benito Mussolini, who claims to have  invented the term “fascist,” of course promised to restore the glories of ancient Rome.  Just as “The Donald” has pleged to “make America great again” by building up the military to such fire power “nobody will dare meess with us again!”

In America the most admired and celebrated figure is the millionaire and billionaire businessman/woman.  More people aspire to this status than any other.  Even our greatest athletes, and artists, along with powerful politicians genuflect to these plutocrats like ancient Israelites bowed down before the golden calf; who oftentimes own them body and soul.

When Trump combines his exalted status as billionaire with the deep seated traditions of paranoia and populism in American politics it is no mystery why a politically ignorant businessman like Donald Trump is attracting such crowds among the disillusioned and untutored white working class mob as he brazenly flaunts his wealth.  They see him as their Deliverer alas.

As I listened to the hope the white workers at the Vermont rally place in him, if I didn’t know better I would have thought they were talking about Jesus Christ.  It is a naïve hope invested in a charlatan who cannot possibly fulfill his promises.  Hence they shall become even more combustible when they feel betrayed yet again; the way they feel about the Republican establishment now; which is what created this opening for Trump.  The Poet Laureate of Harlem Langston speaks to the consequences of this kind of mass disillusionment in his powerful poem, What Happens to a Dream Deferred?   “Does it sag like a heavy load….or does it explode!”

Like desperate people throughout history, going back to ancient times – demagogue is an ancient Greek word that describes a person who deceives the masses into believing that he cares about their troubles while using them to pursue his own interests – poor whites that support Trump are turning to a “strong man” who has lured them into his camp by telling the “big lie” that the cause of their economic problems is a “stupid” black president – although Obama actually saved them from complete economic ruin after the Republicans wrecked the economy – unpopular minorities who should be driven from the country or put in their place if they stay; just like Hitler scapegoated German Jews. And Trump is proving Dr. Goebbels, the Minister of Propaganda for the Third Reich, correct: “If you tell a big lie to enough people often enough they will believe it.”  Trump is also proving the truth of Thomas Jefferson’s warning “An ignorant electorate will elect and return the worst people to power.”

Based on the observable evidence it is safe to conclude that Trump is a charlatan with fascistic tendencies – albeit American style with a fake salesman smile and informal demeanor that reminds me of the comedian Joan Rivers’ shtick “can we talk” – who is poised to seize the Republican nomination. This is a truly frightening possibility. All Americans should ask what, for instance, does Trump mean when he talks about the police acting too “politically correct” in dealing with demonstrators?  What does history tell us about how demonstrators were made to pay a price for lawfully assembling.  Well I think of “Bloody Sunday” on the Edmond Pettis Bridge in Alabama, and since he was referring to college students at the University of Chicago Kent State especially comes to mind.  For those who don’t remember the Kent State Massacre please note the Photograph below!

Is this what Trump Envisions?
Kent state and Donald Trump

Once he gets the nomination of the Grand Obstructionist Party Trump will have a chance of becoming president; which would be a catastrophe for America and the world. All progressives must now quit the squabbling among themselves and join the struggle to stop this dangerous egomaniac with a messiah complex. Our marching orders must be: “No enemies on the left!”  Do you hear that Corny West?

The Universal Fascist Salute!

Benito Mussoini

Benito Mussolini: The Father of Fascism
Donald Trump

Donald Trump giving Fascist Salute

American Fascists and Leading Republican candidate for President
Woman at a Trump Rally

Donald Trump's Fascist supporter

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  • Read “Some Unpleasant Truths” at:
https://commentariesonthetimes.me/2010/05/01/some-unpleasnt-truths-about-the-arizona-law/ant Truths
The McCain Palin Mob in Strongsville Ohio
https://youtu.be/KjxzmaXAg9E
Hitler’s Speech Declaring War on USA (English Subtitles)
https://youtu.be/QJf4yEOkMXY
Like Donald Trump’s Speech in Vermont both are streams of lies!
https://youtu.be/g0NbmltHQH0
Donald Trump Inciting Violence at his Rallies

Donald Trump Making Americans Hate Each Other!

An Excellent Well Researched Documentary Placing Trump in the Fascist Tradition
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Playthell G. Benjamin
Harlem New York
March 13, 2016