Celebrating the Art of Jazz with Pizazz!

Jazz Men ditDrummer George Gary Led his hard Swinging Quartet

At the Central Brooklyn Jazz Coalition’s Annual Feast

From the moment I walked into the beautiful Weeksville Heritage Center I thought of my good friend Jo Ann Cheatum, who recently danced and joined the honored ancestors.  I had been thinking about Jo Ann a lot lately, because I have a solo Photographic exhibition on display at the Dwyer Cultural Center in Harlem, and I shot it with a camera given to me as a gift by Joan.

After looking at a couple of photos I shot to illustrate an article I wrote for her magazine Pure Jazz , a rare publication devoted to high quality journalism on the art of Jazz published by an Afro-American, she said “you have an eye for a good photograph, but you need a more advanced camera.”  A couple of weeks later she gave me one; it is the same camera that I shot the photos for this essay with.

 Jo Ann had also worked side by side with the founders of the Weeksville historical project that resulted in this venerable black community gaining landmark status. The Weeksville Heritage Center,  imaginatively designed with big spaces and large windows that enhances the feeling of openness, is one of the conspicuous fruits of their efforts. And finally, Jo Ann was a long time member and moving force of the Central Brooklyn Jazz Coalition and would surely have been sitting front and center when I took the podium to deliver the keynote address.  Like a welcome version of Banquo’s ghost her spirit was popping up everywhere.

Although it was the 17th annual CBJC banquet, this occasion was unique because it was free.  The leadership of the coalition made it clear that this was a benefaction to the supporters of their work, and was made possible by virtue of some very successful fundraising this past fiscal year.  In the announcement for the event there were explicit instructions to the guest that they should dress to the height of fashion…or a bit above it.  And they used a picture titled “The Bebop Dancers;” taken from my photo exhibition  “The Elegance of Afro-America, to set the standard.

The Bebop Dancers….
Photo XV- Jazz Dancers
Struttin their Stuff in Charlie Parker Park

After a meet and greet session in the large vestibule we were seated in the elegant dining room and treated to a swinging performance by the George Gary quartet. The band played straight ahead Jazz, no watered down quasi-rock or “easy listening” fusion music.  This was hard core Bop based swing – Bird and Dizzy’s thing!  It was hard to tell who was having the most fun, the musicians or the audience; it was a mutual admiration society….nothing but love.  It was one of those special occasions that musicians look forward to, an occasion where true symbiosis occurs between audience and performer – mutual thrills.

The menu was fine gourmet cuisine, artistically arranged and skillfully served on elegantly set tables.  The whole experience was designed to satiate the most epicurean taste.  A series of brief speeches that featured a formal Welcome by CBJC President Clarence Mosely and Executive Director/President of the Weeksville Heritage Center Ms. Tia Powell Harris, were offered up.  They were followed by remarks from  CBJC Treasurer Bessie Edwards, who gave an accounting of the financial health of the organization.

Ms. Edwards was followed by City Councilman Robert Cornegy. After a thoughtful speech reflecting on his love of Jazz and reminicing about old Jazz shrines in the Brooklyn he grew up in,  the Councilman shared with us how he had sucessfully cultivated a taste for Jazz music in his five kids.  And he heaped abundant praises upon the Central Brooklyn Jazz coalition and the Weeksville Heritage Center for their ongoing good works and the lavish banquet

When he was finished the Master of Ceremonies introduced me to the audience for the Keynote Address. They gave me the kind warm and enthusiastic reception that is usually reserved for cultural heroes and I was both energized and inspired when I took the podium.  My presentation consisted of two parts: Reading a wide ranging essay on the influence of Jazz, philosophically as well as musically on world culture.  I explained that Jazz as music captured the imagination of serious instrumentalists everywhere, and the values it embodies in its social organization and performance etiquette captured the imagination of intellectuals seeking a working democracy that promotes personal freedom and innovation.

Since the text is written and can be read by clicking the link at the bottom of this photo-essay I shan’t belebor it further here.  The second part of my presentation was a an extemporaneous critique of the feature film “Miles Ahead,”  a film about the great master trumpeter, band leader and Jazz innovator.  I explained that although I entered the theater wanting to love Mr. Cheedle’s film, excited that the story of this enigmatic Afro-American genius had finally made it to the movies, I was profoundly disappointed alas. For we never  As for the Banquet, all in all it was an enchanted evening and I had a ball!

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The Speakers

At banquet (2)

Playthell Spoke on the influence of Jazz on World Culture
The City Councilman

A Brooklyn Councilman Speaks

Spoke Eloquently of his long love Affair with Jazz
The Feast was permeated with beautiful People and Soulful Vibes

Seasoned Foxes III

Women of Substance: Bessie and Coalition Member

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At Banquet

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At Banquet Edit XX

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At the Banquet Edit III

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 At the Banquet Edit IV

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At the Banquet Edit VIII

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At the Banquet Edit XXI

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At the Banquet XI

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At the Banquet Edit XXIII

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At the Banquet Edit XIX

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The Band was Swinging Hard! 

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Bassist - Edit I

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the Pianist

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Rome Neal Spittin Verse

Rome Neal jumped up and Started Spittin Verse
The Band Played On….. 

Jazz Men Edit I

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And Oh How They Danced!

Rome Dancing VI

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Rome Dancing V

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Rome Dancing VII

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Rome Dancing IV

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Jazz Dancers Edit I

The Joint was Really Rockin!

Jazzmen Edit II

It was a Swingin Affair!!!

Double Click on Link to hear Miles, Trane and Cannonball

So what?

Click on Title “Jazz Around The World” for text to my speech 

https://commentariesonthetimes.me/2011/04/28/jazz-around-the-world/

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Playthell G. Benjamin
Harlem, New York
May 17, 2016

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