Archive for April, 2019

A Priest of Ifa has Joined the Ancestors!

Posted in On the Passing of Stan Kinard with tags , , , , , on April 28, 2019 by playthell

Baba Olabase aka Stan Kinard with Son Alade at Sista’s Place

A Mighty Tree Has Fallen In Brooklyn
Let Every Head Bow…and Every Tongue Sing Praises

Baba Olabase has Danced Yet His Spirit Dwells

Stan was the man to go to if you needed a hand up the ladder to grasp your dreams, for he was a dream weaver, a vendor of miracles, who helped seekers to identify their dreams and then live them. I know this by virtue of the many outstanding Afro-Americans who have publicly testified to it with heart rending, soul stirring, stories. In a public Tribute to his good works held at Sista’s place last summer, I witnessed a galaxy of stars turn out and testify to the critical role “Mr. Kinard” played in their becoming who they are: Preachers, teachers, politicians, musicians, businessmen, artists and even ex-thugs who used to terrify the community. Indeed, Baba’s life was a benefaction and his wisdom a REVELATION.

The good he has done will live on…but, alas, the enumeration Stan’s good works requires a space far beyond the limits of this remembrance. For he was my student and I have observed his development and good works for 51 years! From my earliest encounters with Stan I knew he had exceptional leadership qualities and vision; he was unusually confident and self-directed for a teenager. I figured he would go far in life, and that confidence proved justified as he went on to exceed everything I had hoped for our graduates.

When we set up the WEB DuBois Department of Black Studies at the University of Massachusetts, at Amherst our objectives exceeded the normal aspirations of academic departments. While other departments were quite content to produce students who were equipped to pursue their individual goals to get ahead and contribute to the advancement of society as a by-product of their efforts, our goal was to produce students whose main objective was the uplift of their people, who had been long oppressed by a racial caste system that amounted to a monstrous crime against humanity centuries old.

Hence we wanted them to go back to the communities from whence they came and apply the skills they had acquired at the great white university to the task of community development. For us, this was the true measure of success. It was, by the standard measure of academic achievement, an extraordinary expectation. Several of our students would fulfill our aspirations for them, but none more so than Stan Kinard, who was one of the tallest trees in the forest we cultivated. He was living proof that the experiment we began in the fall of 1969 had the right stuff to produce the kind of result we envisioned.

Our objectives were shaped by the philosophy that guided the development of the DuBois Department. Unlike the other departments in the university, whose courses were designed by traditional academics, our project and course offerings were designed by movement intellectuals in collaboration with the traditional academics. The former shaped the philosophy and objectives, and the latter organized them to meet traditional university standards. In order to achieve our paramount objective, which was to produce an intellectual vanguard that would reshape the racist humanities curriculum that supplied the intellectual underpinnings for the system of white supremacy; a racial caste system which limited the life’s chances of Afro-Americans. And then organize the Afro-American community to achieve political power and economic parity; to realize the slogan “Black Power.”

Hence in our view the founding of the DuBois Department was an extension of the black liberation movement into the academy; this determined the courses we offered and the professors chosen to teach them. For instance, the first three professors hired by the department was Ivanhoe Donaldson, Cherif Guellal and this writer. Ivanhoe was a political scientist who had played a major role in SNCC, the Student Nonviolent Coordinating Committee, the organization most responsible for building black political power in the South by organizing Afro-Americans to vote, particularly after the passage of the Voting rights Act of 1965. He had lectured on political movements all over the US and Africa. But as an activist deeply interested in radical progressive change as a vehicle for black liberation, Ivanhoe was not content to just talk about politics in the classroom, he took a group of his students down to Atlanta, and successfully ran Andrew Young’s successful campaign for the US Congress.

Cherif Guellal, a colleague of Ivanhoe’s at the Center for Policy Studies in Washington DC, was an Algerian who had served on the central committee of the National Liberation Front, NFL, which successfully waged a bloody seven year revolutionary war against the French colonialists, costing the Algerian people a million and a half lives! Among Cherif’s duties was to serve as aide de camp to Dr. Franz Fanon, the brilliant black psychiatrist from the French Caribbean colony of Martinique who became the principal theorist of the Algerian Revolution.

Through his books such as The Wretched of the Earth – his magnum Opus – Studies in a Dying Colonialism, and “Toward the African Revolution, we were provided a first hand analysis of the dynamics of a revolution in progress. And the activists seeking radical change around the world were inspired. Cherif, who came to the US as the Ambassador to the Kennedy administration from the revolutionary government of Algeria, taught courses on the life and writings of Dr. Fanon, and the process of organizing a revolutionary movement.

I came to the department having spent the last decade as a movement activist, which began at the birth of the black student sit-ins in the spring of 1960, when I was a freshman at Florida A&M, and I evolved into a revolutionary; co-founding the Revolutionary Action Movement with Max Stanford aka Dr. Muhammad Ahmed, in Philadelphia, two years later in 1962. In that same year I came on the airways billed as a “Radio Historian” on WDAS, a commercial radio station broadcasting to the black communities in three states: Pennsylvania, New Jersey and Delaware.

A serious autodidact who camped out in the famous Schomburg Collection,* The great Philadelphia Public Library, the Van Pelt Library, at the University of Pennsylvania, and two book stores that specialized in books on the history of the black world and revolution: Hakim’s Book Mart and the New World Book Fair, both owned by black men devoted to liberating and uplifting the race, I delved into the archives of ancient prudence and interrogated the texts deposited there.

The book fair was located on the edge of the University of Pennsylvania and I began to meet U Penn history professors, one of whom Dr. Ted Hershberg had heard my weekly lectures on the radio – which were three hour sessions consisting of an hour lecture and two hours of open phone discussions where the listeners could ask questions or offer their own insights derived from their research on the subject – invited me to attend departmental discussions on the ongoing researches of his colleagues.

Although I had been under the tutelage of Dr. Lawrence D. Reddick, a conventionally trained Afro-American historian. these sessions at Penn provided me a front row seat to witness the development of a new method of writing history: quantitative and social science history as it was being created by scholars like Dr. Hirshberg and Dr. Lee Benson. It was a priceless graduate education that equipped me with knowledge on the cutting edge of the historical profession, which would serve me well when I would later be challenged by professors in the U-Mass history department, who were intent upon proving Black Studies was a fraud!

Between the U-Penn Professors, and other scholars I would meet after I was hired by the Reverend Doctor Leon Sullivan, an activist Baptist preacher, who first hired me to teach a black history course in the basement of his church the venerable Mt. Zion, when I was 21, after listening to me on the radio, then commissioned me to develop a “Minority History” course for the Opportunities Industrialization Centers, a skills training program that began in an abandoned jailhouse in North Philly but spread to 120 cities and five African countries after it was mass.

I not only taught African and Afro-American/Caribbean history at the “proto-type” program in Philadelphia, but was soon in demand for lectures at other OIC programs around the nation. This led to invitations to conduct seminars for public school teachers and eventually university lectures, which increasingly centered around rationales for inclusion of Black Studies in their academic programs. As I traveled around the country I was also developing underground cells for the Revolutionary Action Movement. Among the radical organizations spawned by RAM was the Black Panther Party of Oakland, when we recruited two students at Merritt Junior College in Oakland: Bobby Seales and Huey P. Newton. I became so busy that I severed ties with OIC and became an Independent Public Intellectual.

After the armed revolutionary movement was devastated by the FBI Co-In-Tel-Pro offensive, and the disillusionment I felt with the Chinese Cultural Revolution, I was undecided about my next move. The revolutionary writings of Mao Tse Tung was our bible, and I had begun to suspect that he might be wrong alas. It was during this period of uncertainty that I met Professor Mike Thelwell at a conference on how to develop Black Studies in elite white private schools; to which Afro-American students were being recruited by the ABC – A Better Chance – program.

The objective of ABC was to identify talented black youngsters in black communities and pay for them to attend the nation’s elite private prep schools, then funnel them into Ivy League universities, after which they would take their rightful place among the American elite. The Result was a mixture of triumph and tragedy. For instance they plucked Duval Patrick from the inner city of Chicago, who graduated from Harvard Law and went on to become the first black Governor of Massachusetts. But ABC also produced Jake Lamar, whom they recruited from the “Boogey Down” South Bronx, which produced Hip Hop. However Lamar’s experience in elite white institutions was different, he graduated from Harvard and wrote a book “Bourgeois Blues” detailing the horrors of his experience, and went into exile in Paris, the way black writers had done earlier in the 20th century. He has seldom been heard from since.

Professor Mike Thelwell- a radical Jamaican immigrant intellectual who had attended Howard University in Washington DC, a campus that boasted a gaggle of outstanding black scholars – was an adviser to the ABC program. And he had insisted that the black community didn’t need any “imitation white folks runnin round tha place confusin the people” as he colorfully put in his Jamaican idiom, a language he often resorted to when dismissing what he regarded as “damned foolishness and fuckrie!”

So, Thelwell argued, if they were going to recruit black students with the aim of advancing our community then they must include courses in Black Studies. We were the key note speakers at the opening session of the conference, which was held at Suffield Academy, an upper class prep school that boasted such graduates as Jackie Kennedy. Thelwell spoke on literature and I spoke on history. Our admiration was mutual, and as he was tasked with finding faculty to develop the new department they were planning, he explained that they wanted to name what would be the first full fledged Black Studies Department, after our greatest scholar/activist, Dr. William Edward Burghardt DuBois, whom he had deduced was my intellectual hero by the number of times I had cited and quoted him in my lecture.

Mike was well qualified to lead this struggle, having been a founder of SNCC, and a top flight organizer who helped build the Mississippi Freedom Democratic Party and then ran the challenge from SNCC’s Washington office that nearly unseated the regular all white Mississippi delegation to the 1964 Democratic convention held in Atlantic City, New Jersey. Mike insisted that we should be about the business of building a full fledged department and not settle for a mere patchwork program, in which several professors offered elective courses on black subjects but could neither hire faculty, nor grant degrees. I thought it a great idea, since I had seen these hastily constructed “Black Studies Programs” in my travels around the country. Once we agreed on the objective, he offered me a job. That is how I came to Amherst, and Stan Kinard was the student representative on the committee that interrogated and hired me.*

As the DuBois Department grew, we added more scholars who held traditional credentials; especially the PhD. However the Department added yet another innovation by appointing a contingent of radical black artists to the faculty such as the painter Nelson Stevens, the Sculptor Ed Love, Playwright and Director Paul Carter Harrison. We were also the first to give professorships to Jazz musicians when saxophonist/composer Archie Shepp, and the seminal modern percussionist Max Roach, pater-familias to the most influential school of Jazz drummers in the post-bop era.

After the take over of a campus building, renaming it New Africa House, and establishing a Black Cultural Center, other talented black people were attracted to the campus including a Karate Master and the brilliant iconoclastic poet Amus Moore, an important figure from the Black Arts Movement in Chicago. Eventually James Baldwin and Chinua Achebe – two of the 20th centuries greatest novelist of the Black World in Africa and America – joined the faculty. Thus Amherst become home to one of the most fascinating and influential Pan-African congregation of artist and intellectuals ever assembled anywhere.

Stan Kinard played a major role in all of these developments, and he took full advantage of all that they had to offer. This is where he developed his knowledge of Jazz and the other arts, as well as his historical erudition and political acumen. One of the most moving tributes payed to Stan came from his classmate, political comrade, business partner and life long friend, Leon “Kwaku” Saunders. He opined with a palpable passion and pain:

Stan Kinard was a great man and he was my friend. Unlike family, which you are born into, friendship is a choice. And it was a choice that Stan Kinard and I made over 50 years ago and one which we honored until the end of his life….We might have met on the basketball court where Stan brought a defensive intensity the likes of which I’d never seen before nor since…Stan was a sophomore and as one of the few black students on campus he, Cheryl Evans and others made themselves available to help the new class adjust to life at a major white university. We were less than 150 students on a campus of over 18,000. It was 1968, when the civil rights movement and the anti Vietnam war movement was in full bloom. And we as black college students sought to do our part in changing the socio-political landscape of the country. We wanted to make a difference, and we did!

Stan was a pragmatist and a political animal who understood “the art of the possible” as the black student body took a stronghold and changed the face of the University of Massachusetts forever. We took over a dorm and renamed it New Afrika House, We helped to create the W.E.B. Dubois Black History Department which brought together perhaps the greatest group of black intellectuals and cultural icons anywhere in the nation, we brought soul food on campus, and took over 35% of radio programming on the campus station, we helped to influence policy to increase the black student population by more than ten fold, we helped to create an environment where Randolph Bromery became the first black Chancellor of a major university. We were a force and Stan Kinard was a quiet leader. And he was my friend!”

 In the course of organizing students to exercise their power, and negotiating with the university administration, Stan gained the skills that he would later apply to his work organizing previously powerless people to seize control of education and politics in their Brooklyn communities. Barack Obama took a similar path to the White House.

I have gone to such length in describing the intellectual environment that nurtured Stan’s development because in the voluminous tributes paid to him by a succession of impressive speakers at his “going home ceremony,” they often spoke as if this inspirational teacher/organizer came into the world full blown like the Goddess Athena from the forehead of Zeus. But Stan, like the many people whom he inspired and taught, was also the product of an educational process. And it is critical for those who must now carry on his work to understand that he was no historical accident.

There is no mystery about how he became the visionary leader and dedicated public servant that he was. It is essential to understand that revolutionaries are made not born. This understanding will make it possible to carry on Stan’s work; to keep his legacy alive as several speakers called for. Removing the mystique around him will make that task lighter. To be sure, Stan possessed some of the virtues that would lead to greatness when we first met him: Good character, natural intelligence, abundant courage and an insatiable curiosity about about the origins, history and contributions of African peoples. So we had good stock to work with, after all, it remains true that one cannot make a silk purse from a sow’s ear no matter how hard you try.

As I watched and listened to the torrent of tributes to a purposeful life well lived, my mind hastened back to the bedside of Kwame Ture aka Stokely Carmichael, one of the most indefatigable Pan African warriors of the 20th century, as he lay dying from cancer. It was the night before he was to fly back to his beloved Africa, to revolutionary Guinea, from whence he would dance and meet the Ancestors.

As the room buzzed with activity from the many comrades who had come to bid him farewell -which included a contingent of five beautiful black lady doctors monitoring his every heart beat, and seeing what more they could do to make him comfortable, while the brothers offered libations of Wisdom Weed and wine- he still answered the phone with the stalwart greeting: Ready for Revolution!” He looked around the room and said “If you dedicate your life to serving the people…they will stand by your side til the end.”

That’s the same thing I witnessed both at Stan’s bedside and at the farewell ceremony, as a seemingly endless procession of people whose lives he had enriched, came forth and testified with the passion of holy rollers bearing witness to what the lord had done for them. They spoke most often about his stewardship of the Dr. Carter G. Woodson Cultural Literacy Program, which he had created. When Stan was devising his plan, he spoke to me about it, after all, I was the first teacher to introduce him to the history of the Black World, in Africa and the Black Atlantic diaspora.

He seemed to know that this would be his great contribution, passing on the things he had learned in Amherst in word and deed. In Amherst we had chosed the name of Dr. DuBois to adorn our edifice to black enlightenment because Dubois was the true Father of Black Studies due to his multi-disciplinary approach to the study of the Black world. And he chose Dr. Woodson as the patron saint of his High school program program centered at Boys and Girls High because Woodson had been inspired to create the Association for the Study of Negro Life and History due to his belief that black people were in danger of destruction just like the American Indian, the Australian Aborigines, the native Tasmanians, etc because of our distorted representation in the history texts written by white racist “scholars.”

Woodson was an amazing man who had worked the coal mines in West Virginia and did not begin high school until he was 21, yet earned a Harvard PhD in history, well understood that the objective of white historians was not to set the record straight on human achievement, but to construct an intellectual foundation for the claims of white supremacy, and offer up apololgia for white genocide against peoples of color. Looking about him Stan also recognized that our youth were in danger of destruction, self-destruction from ignorance, self-hatred, and negative nihilistic role models. The life enhancing vision of the Carter G. Woodson Cultural Literacy Program, constructed upon the remarkable life and work of Dr. Woodson, was Stan’s antidote to this decadent cultural poison. The heartfelt testimony of those who were fortunate enough to study in the program offers irrefutable evidence that Stan’s vision was prescient.

Knowing him these five decades has been a highlight of my life. When I visited Stan at the Sloan Kettering Cancer Center the night before he danced, I could see his life in this realm slipping away; Yet while his body was ravaged by cancer his spirit was undaunted.

As he lay there barely able to move or speak, he bade me to come to his bedside, struggling to hold back tears I whispered into his ear “Old soldiers never die, your many victories will live on in the lives you enhanced and the institutions you have built. Among them the first free standing, degree granting, Black Studies Department in the world!” Hence everybody presently holding a university professorship in Black Studies owes a debt of gratitude to Stan Kinard, and the fact that they may not know it is besides the point, ignorance of the facts cannot negate the truth!

With a sly smile Stan asked: “What was the date of the first Pan-African Conference, where was it held, and who organized it?” I thought it a curious question at the time, but I readily answered it. He smiled again and bade me put my ear closer to his mouth, and he whispered “You the only one who got it right.”

Then his sister told me he had asked everybody who came to visit that question. Hence we parted as we had met: With Stan raising questions about the Black Liberation struggle. He was a Pan-African soldier to the end. So I say of him what Shakespeare said of his noble warrior Moor Othello: “The elements so blended in him…all the world could see…here was a man!”

Now Stan has danced, and if the Ifa Oracle proves true, Baba has journeyed to that mysterious realm where Oludamare, the Orishas and the Ancestors will welcome him into paradise; claiming him as one of their own. Fot there is one thing of which I am absolutely certain: When the Saints come marching in Stan Kinard, Baba Olabese will be in their number.


The going Home ceremony for Baba Olabese was not the traditional Christian funeral, even tho the final rites  were conducted in the beautiful sanctuary of Bethany Baptist Church.  It was, in fact, an Afro-American enactment of the ancient Yoruba Ancestor Veneration Ritual, where those who knew and loved him, and those whom he had touched with his generous spirit and good grace, sang praises unto his name.  Those who promenaded from Stan’s beloved Boys and Girls High, and later rose to offer glorious panegyrics to his memory and sang of his myriad deeds, hailed from every sector of society.  It was a farewell worthy of a heroic servant of the people and a high priest of Ifa.  Here are some images from that halcyon moment in time.  And they will last forever…ACHE!!!

The Procession

Baba’s Children Lead the Walk on Streets where his Spirit Dwells


The Strode to the Church to Pay Homage


As The Procession Entered the Church

Stan’s Sister Led the Way, Followed by his Wife and Children


The Veneration

Beating the Sacred Batas for Baba


The Ceremony was Ecumenical

Christians Of the Cloth
Shared the Pulpit

With Pagan Priests of Ifa


Baba’s Children: Sukeena and Aladay

Recounted his Life Sang Praises to his Glorious Legacy


While Their Queen Mother Tulani

Warmly Welcomed the Mourners


From Their Front Row Seats the Family…..

………Proudly Bore Witness to the Praise Poems for Baba


Mother’s and Daughters Sang Praises

Celebrating Baba’s Devotion to Our Children


The High and the Mighty Came Forth!

Brooklyn Borough President Eric Adams  gave Props


And Battle Tested Warriors Wept…

Venerable Political Leader and Community Activist Charles Barron


Women Openly Wept Too

Sukeena Comforting a Grief Stricken Sister


And Tulani Comforted Others









Text and Cover Photo by: Playthell Benjamin

Photographs of the ceremony inside Betheny: Hakim Mutlaq

Photos of the Procession on the Streets: Photographer is unknow at

The Afro/Modernist Art of Ademola

Posted in Ademola at Gallery, Uncategorized with tags , on April 25, 2019 by playthell

Ademola: The Master with his Creation

Neo-African Aesthetic Alchemy from the Black Atlantic World

Ademola Olugbefola is a major Afro-American artist who was a leading figure in the evolution of the Black Arts Movement of the 1960’s, which means that he has been about the business of defining a black aesthetic in the visual arts for the past half century. The BAM grew out of the black liberation struggle that blossomed during the mid-twentieth century, just as the African liberation movements began to triumph, overthrowing the system of European colonialism on the continent.

The Afro-American freedom Movement was inspired by events in Africa, which we supported. It was a revelation to see brilliant Africans on television speaking at the United nations, after having been programmed for generations by a racist white supremacist education system and mass communication apparatus, especially the Tarzan movies, to loathe Africans as an embarrassment. By virtue of the emergence of independent African nations on the world stage, courted by the US government in order to persuade them to join the western capitalist bloc in the cold war against the communist nations, Africa had now become a source of great pride.

While the great Civil rights movement was solely focused on gaining full equality for Afro-Americans under constitutional law, a fundamental requirement for blacks to have any chance of dramatic progress after centuries of forced inequality by government policies, others branched out and tackled complex cultural questions regarding literature, music and the visual arts. The paramount concerns of these cultural warriors was who are we? Where did we come from? What were we before we were forced to become Americans by capture and enslavement? And how can we recapture some of what we once were?

The result of these explorations led to an explosion of Afrocentric dress and hair styles among “culturally conscious” Afro-Americans and inspired a tsunami of activity on the part of intellectuals and artists. Black poets sang panegyrics to the beauty of blackness, black Jazz musicians wrote compositions such as Art Blakey’s “Message From Kenya,” and John Coltrane’s “Africa Brass.” And we heard Dizzy Gellespie’s “Night in Tunisia” through different ears. The great drummer and composer Max Roach, along with his beautiful Afro crowned wife Abbey Lincoln – a singer/actress – had joined with Ronnie and Cecil Braithwaite to organize the African Jazz Art Society, which launched the Black Arts Movement in 1958 that came to full bloom during the 1960’s.

Max and Abby, the first family of the “Black Cultural Revolution” were everywhere, making politically conscious music like the album:”We Insist! Freedom Now,”which became, for radical political activists, the sound track of “The Revolution.” The idea of a real armed revolution in the US may sound far out to contemporary readers, but back then in the fires of struggle, it seemed all too real. It was real enough for some people to give up their freedom and others their lives. Hence it was in this turbulent cauldron of struggle and hope, that the art of Ademola was born. A quintessential New Yorker, he was right in the midst of this cultural and political turmoil.

Having a deep interest in fashion and theater set design, Ademola was among the first of the visual artists to heed the call to create a modern art based on a Black aesthetic philosophy derived from their study of traditional African art.  Thus they were mining the same tradition that  had inspired the major creative figures in the rise of modern western art: Picasso, Georges Braque, Salvador Dali, et al.  (for a deeper discussion of this see the discussion with Ademola and this writer on the video below this essay)   It was this deep and abiding interest that led him to join with a band of fellow black artists and create the Weusi Academy.

Among these artistic visionaries was the Master Sculptor Painter Otto Neals, Thomas “Taiwo” Duval, a painter and master African drummer; Abdul Aiziz, Master Print Maker and painter; Abdul Rachman, an innovative painter who produced works of such original conception, complexity of design and bold use of colors that Ademola coined a term for it: “Epic Symbolism.” Recently Otto Neals had a retrospective exhibition of his sculpture mounted in the beautiful galleries of Kenkelba House. It was a sensation! It set new standards of achievement for future sculptors to strive for. There were other gifted artists who joined, or were greatly influenced by the innovative works of the Weusi Academy artist, that are too numerous to account for here.

On Saturday April 14th, Ademola opened a solo show at the X Gallery in Harlem titled “Past and Present Mixed Media.” Located on Malcolm X Boulevard at 118th Street, and named in his honor, the gallery has presented a series of unique exhibitions under the able direction of its Founder and Curator Lisa DuBois. An outstanding photographic artist in her own right – many of her works are fine art – Lisa’s camera lens is an all-seeing eye that has captured some of the most poignant images of our time in the US and abroad. Hence she is an excellent person to curate a show such as this, for a great part of her mission is the bring the works of under-represented artist of talent to the public.

Lisa DuBois

Artist, Visionary and Curator Of  X Gallery

However, this concern does not include the present artist, as Ademola’s oeuvre has been reviewed, celebrated and critiqued in a wide variety of books, catalogs, periodicals, videos, and broadcast media. The pieces in the Gallery’s exhibit were selected from Ademola’s many works over more than half a century. They include objects de art that have appeared in many museums and galleries across the US and abroad, as well as a new selection of minature abstract landscapes.

A great fan of dance, the exhibition also includes some of Ademola’s abstract renderings of dance movements, which one viewer who identified herself as a professor of dance said inspired her to dance! The Exhibition will remain on display until April 28.

Ademola Receives an Award from X Gallery


The Alchemist In His Studio


Mask of the Poro Society




In the Realm of Ancestral Spirits


Musicians Making the Harvest Grow


Cosmic Graffiti


Ile Ife!  Home of the Gods


The Mystery of Ifa 


The Heliocentric Worlds Of Sun Ra


Astral Travelling


Spirit Dance


Ocha! The Evidence of Things Unseen


The Grand Opening at X Galleries

Lisa Directing the Show

Artist and Curator a Fine collaboration


It Was A Diverse New York Artsy Crowd

Like this Dancer/Artist


It Was a Lively Crowd!


Freedom Day!

Max Roach and Abbey Lincoln


To watch Ademola discuss his Art with Playthell Click on Link

This is a multi-part discourse follow the lables



Text and Photographs by: Playthell G. Benjamin
Video by: The inimitable Kwame Barthwaite
Harlem, New York
April 25, 2019

The Soul Of The Senate!

Posted in On Donald Trump, On Senator Elizabeth Warren, Playthell on politics with tags on April 23, 2019 by playthell
Senator Warren Standing With Reverend Barber and Activist Preachers Of Social Gospel

On Placing Principle Over Politics

Although I was pretty much leaning in her direction before, after listening to Senator Warren’s argument for the impeachment of Donald Trump upon completing the Mueller Report, she definitely gets my vote! While the “deplorables” who support Dirty Donald – a pathological liar, swindler and con man who accidentally became U.S. President with loads of Russian help – will attack her with the most scurrilous rhetoric in an attempt to assassinate her character and impugn her motives, Senator Warren’s argument for the impeachment of the orange ogre is unimpeachable!

Unlike House Speaker, Nancy Pelosi, a game political animal who puts politics first, Senator Warren argues that in this matter we must put politics aside. Normally I would agree with Speaker Pelosi, because I understand that effective politics is the surest road to power, and politics is the art of the possible. However there comes a time when fundamental ideas must be defended at all cost, indeed many Americans have died in defense of these principles. Yet honorable and intelligent people can disagree on how to best defend these ideas in the poltical arena.

Some will argue that the best way to get Dastardly Don out of office is to kick his ass at the polls in 2020. They will argue that we should follow the dictum of the African political philosopher/president Kwame Kkrumah: “Seek ye first the political kingdom, and all else will be added there unto.” While this argument is sage advice for people seeking to gain power, sometime one must risk political defeat in defense of fundamental principles. For it speaks to the question of who we are and what we stand for.
Although speaking in a different context, Benjamin Franklin, one of the most compelling revolutionary personalities of the American Enlightenment, and a Founding Father of the Republic, spoke to the importance of principle. The burning question of that moment was whether English settlers in the British Colonies of North America should seek some adjustment in their colonial relationship with their mother country, “Great Britian,” or opt for total independence, which was tantamount to a declaration of war against the British Empire. For Franklin the answer was clear and unequivocal: “Any people who would choose temporary security over basic liberty deserves neither!”

For our time, the pressing question is whether our actions will be governed by political expedience or fundamental principle; whether the Congress shall choose sides on the issue of checking the clear abuses of executive power to obstruct the pursuit of justice based on how it will affect their electoral prospects in 2020, or will the heed the mandates of the Constitution. As I write the Democrats, who alone hold the power to open impeachment proceedings, are deeply divided on the question.

Elizabeth Warren is the first member of the Senate to call for impeachment hearings but her fellow Democrat, House Speaker Nancy Pelosi, has already said there will be no impeachment because of all the civil strife that would result and “He is not worth it” So we have a problem in the Democratic party that could become a source of serious division; which will put the Democrats at a disadvantage because I see no similar concern about presidential abuse of power within the Republican ranks. And from all appearances Senator Warren is on a serious mission to restore the balance between the executive and legislative branches of the US government by checking executive power; the Constitution mandates it and the survival of our democratic republic demands it.

Hence Senator Warren is right as rain when she argues the proper remedy for Dirty Donald’s scurvy behavior is impeachment! While Donnie Dimwit is an intellectual light-weight who is clueless about the Constitution, Senator Warren is a super-heavy weight, if she and trump were pugilists rather than politicians any fight between them would be a crime! But, alas, since the qualifications for jumping into the political arena are far less stringent that the rules of the boxing ring, you can end up with a super-light-weight going up against a super-heavyweight…a mismatch. In view of this realization, lets take a closer look at Senator Warren’s argument.

Taking a page from Devious Donald’s playbook, Senator Warren turned to Twitter to express her views on the Muller Report directly to the American people:

“The Mueller report lays out facts showing that a hostile foreign government attacked our 2016 election to help Donald Trump and Donald Trump welcomed that help. Once elected, Donald Trump obstructed the investigation into that attack. Mueller put the next step in the hands of Congress: “Congress has authority to prohibit a President’s corrupt use of his authority in order to protect the integrity of the administration of justice.” The correct process for exercising that authority is impeachment. To ignore a President’s repeated efforts to obstruct an investigation into his own disloyal behavior would inflict great and lasting damage on this country, and it would suggest that both the current and future Presidents would be free to abuse their power in similar ways. The severity of this misconduct demands that elected officials in both parties set aside political considerations and do their constitutional duty. That means the House should initiate impeachment proceedings against the President of the United States.”

Of course, we can expect the Republican Trumpanzees to launch scurrilous attacks on Senator Warren designed to traduce her character and impugn her motives – it has already begun on Twitter – but thoughtful people will consider the source and dismiss them. Yet, alas, there remain millions of airheads who live in a web of confusion; unable to distinguish real news from fake news, convinced that Sean Hannity, Rush Limbaugh and Alex Jones are more reliable news sources than CNN, CBS the Washington Post and the New York Times. These impassioned and increasingly militant ignoramuses are heavily armed and pose a grave danger to the life and limb of prominent Trump opponents and critics in Congress and the media.

The danger of civil violence in the US is encouraged by Dirty Donald, which is cause enough for impeachment. Hence anyone who is interested in preserving democracy in the US should support Senator Warren, who alone is standing tall and speaking frankly, restrained by neither fear nor favor. However, Senator Warren’s view on impeachment has found an unlikely supporter among the Republican Punditariat. In a commentary on the Mueller Report published in The Intelligencer titled: “There Was No Russia Conspiracy. But Trump is More Dangerous then Ever,” Andrew Sullivan argues the case for impeachment:

“What are the consequences of not impeaching? They are, it seems to me, real and immediate. Trump now has a Justice Department run by a loyalist who believes in total executive supremacy, and who has just revealed himself as a man willing to lie and deceive and distort to please his master. Every official who might have restrained this president is gone. There are almost no heads of agencies, and no dissent in the Cabinet. The country is effectively being ruled by a monarch and his court. Foreign policy has been given to family members. The Fed is being rigged to remove professionals and install loyal toadies. The judiciary is being filled with judges who defer to presidential power in every circumstance. We have a president who only last week told his new acting DHS secretary, Kevin McAleenan, to break the law if necessary to stop asylum seekers from entering the country, and that he’d have his back and pardon him if he got into trouble. In any other time, that alone would demand impeachment. We know now, however, that this is just one instance of a clear pattern of lawlessness.”

What Sullivan describes here is a succinct but compelling argument for impeaching Dirty Devious Donald. However Sullivan will garner no support from his fellow Republicans in the Senate, who are led by vulgar amoral opportunists. Low Life Lindsay Graham, who vigorously prosecuted Bill Clinton for an offense that is a picayune matter compared to the treacherous treasonous transgressions of Trump, has revealed himself to be a serpentine charlatan. And, alas, that turkey necked Kentucky cracker Mitch McConnell, has diminished the dignity and power of his office as Majority Leader of the Senate with his duplicitous monkey shines. They do not seem to understand, or give a fuck, what is really at stake here.

If Lord Acton was right that “Power corrupts and absolute power corrupts absolutely,”and I believe he was, the Congress must check the power of Trump or we will soon have some form of authoritarianism. It will be uniquely American but no less disastrous. For in the final analysis we are confronted with the same question Abraham Lincoln posed during the great Civil War, when surveying the battle field at Gettysburg, a cow pasture in Pennsylvania where over twice as many men had been slaughtered in an afternoon as has been killed in the Iraq/Afghanistan wars. In his famous “Gettysburg Address” of November 19, 1863, a time when it was not certain that Union forces would prevail in the struggle between barbarism and civilization, Lincoln was clear in his conviction that the paramount objective of the bloodiest war in history at the time, was to insure “that government of the people, by the people, for the people, shall not perish from the earth.” I believe, as imperfect as the exercise of this ideal has been, this is what is at stake at this moment in the life of the American Republic.

However, unlike the Nervous Nellies who worry that an impeachment of Donald Trump in the Democrat controlled House of Representatives will backfire politically if the Republican controlled Senate refuses to convict him, and they are convinced that we could never get the 67 votes that would be required to pass the Senate.  Should that happen, they argue, the impeachment will be seen as merely a partisan attack on a President we hate.  But as Senator Warren rightly points out, the evidence provided by the Mueller Report overwhelmingly supports impeachment!

What the Democrats must do now is dramatize the evidence in the Report by holding public hearings and call forth all of the key witnesses; let the public see and hear them for themselves.  I think the public can not only be convinced of Trump’s guilt, but the Democrats can also make the Senate Republicans look like co-conspirators with Trump to Obstruct Justice!  I am convinced this would be much easier to pull off than the doubters and haters think.  And I am even more convinced that to let Trump walk away scott free when compelling evidence of his guilt is right before our eyes for the entire world to see, will be devastating for faith in the rule of law!

While on the House side Democrats have proffered a Bill of Impeachment, as I write Senator Warren is the only member of the august United States Senate – which bills itself as “the greatest deliberative body in the world” – to have forthrightly advocated impeachment. In her courage, brilliance, and deep commitment to progressive humanistic values and the policies they promote, Elizabeth is the rightful heir to the legacy of Edward, the long time Democratic Senator from Massachusetts, who enjoyed the honorific “Lion of the Senate.” Which makes her the “Lioness of the Senate.” And, methinks, Dirty Despicable Donald has met his match!


To Watch Senator Warren Explain her Call for Impeachment

Click on This link
Playthell G.Benjamin
Harlem, New York
April 22, 2019