Archive for September, 2020

RUSSELL WILSON IS BEST IN THE GAME!

Posted in On Sports! with tags , , on September 27, 2020 by playthell

“Dangeruss,” the Quintessential Dual Threat Quarterback

  Destined for the Hall Of Fame!

Russell Wilson’s career is a monument to positive thinking and iron-willed determination.  When he was drafted in the THIRD ROUND by the Seattle Seahawks – despite having won the Big Ten Championship, almost won the Rose Bowl, and held the all time record for passing efficiency in college football – the choice was roundly denounced by football wise guys, and he was given NO CHANCE at success in the NFL because he was “TOO SHORT!”

Well, “Dangeruss” won the starting job in practice; despite the fact that the Seahawks had just signed quarterback Mike Flynn to a 20 million dollar contract!  He now is beginning his 9th season as a starting quarterback in the NFL and he has never missed a game nor had a losing season in eight years…the only quarterback in NFL history to achieve this sterling record.

And it is beginning to look like this could  be his best season yet.  In two games he passed for 9 touchdowns, with only ELEVEN missed passes and one interception, which came when a perfectly thrown pass went through the hands of tight end Greg Olsen.  I am including the video clip for the doubters! Of course Russ won both games, throwing 4 touchdowns in the first game and 5 in the second.

I wouldn’t be surprised if he ended up in the Super Bowl again this year for a third time.  Yet,  if he never played another game, he is bound for the Hall of Fame!  It is written in the stars, authored by the football gods.  Despite dastardly conjurations of the Devil and his agents that conspired to keep the MVP award from him, If I were starting a football franchise, and had first pick of all the players, I would choose Dangeruss!!!  Jes sayin.

The Numbers Tell the Story and Numbers Don’t Lie

1) ONLY QB in NFL history to have played 8 seasons and in each of those 8 seasons, has passed for over 3000 yards, thrown 20 or more TDs and never had more than 11 INTs in any of those seasons.

(2) ONLY QB in NFL history to have a winning record in each of his first 8 seasons.

(3) ONLY QB in NFL history to enter the NFL as a 1st Team QB in 2 Power 5 Conferences after leading both all 4 years in TD passes AND total TDs. (

4) ONLY QB in NFL history after 4 years to have thrown over 100 TDs and rushed for over 2000 yards.

(5) ONLY QB in NFL history to average more than 25 TD passes a season, less than 10 INTs a season and rush for 500 yards a season.

(6) ONLY QB in NFL history to pass for over 4000 yards, throw for over 30 TDs and rush for over 500 yards in a season (and was 17 passing yards from doing that twice).

(7) ONLY QB to start 2 Super Bowls in his first 3 NFL seasons.

(8) ONLY QB in NFL history to take over a team coming off of 4 straight losing seasons (2008-2011) and the next 8 years lead that team to winning records each season.

(9) 1 of 2 QBs in NFL history to have 225 or more TD passes with less than 70 career INTs.

(10) 1st QB in NFL history to pass for over 300 yards and rush for over 100 in a NFL game.

(11) 1st QB in history to pass for over 100 TDs in NCAA play and over 100 TDs in his first 4 NFL seasons.

(12) 1 of 3 QB ever to lead both the NCAA and NFL in passing efficiency/rating for a season.

(13) Only QB to have led the NFL in total TDs, TD passes, passing rating and yards per carry in a season.

(14) Only QB in NFL history to win 10 or more games his first 5 seasons and also win at least 1 postseason game.

(15) Tied NFL record for total TDs in one half (4) by a rookie.

(16) Tied NFL record for a QB with 3 rushing TDs in one half.

(17) Set NFL record for a rookie QB with 385 passing yards in a playoff game.

(18) Set the NFL record for total yards (445) in a postseason game by a rookie.

(19) Set a NFL record with 5 consecutive games with 3 or more TDs, no INTs and a 128 or better passing rating.

(20) Set a NFL record for a 5 game stretch with 19 TDs and no INTs.

(21) Set a NFL record for 4th quarter TD passes (19) in a single season.

(22) Set a NFL record in TD-INT ratio (19-1) in 4th quarters in a season.

(23) Set a NFL record for percentage of one team’s offensive TDs (37 of 38) in a season.

(24) Set a NFL record for percentage of a team’s total offensive yardage in a season.

(25) Holds the NFL record for rushing yards by a QB (539) in a SB winning season.

(26) Holds the NFL record for rushing yards by a QB (849) in a SB season.

(27) Holds the NFL record for a ratio per TD pass as a rookie.

(28) Holds the NFL record for passing rating in prime time games.

(29) Holds the record for wins against teams that are at least 8 games over .500. (30) Holds the record for best passing rating in games played in December and January.

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Video Highlights from First two Games in 2020

 

Game 1 vs. Atlanta Falcons

https://www.youtube.com/watch?v=na5Stz0v3w4

 

Game II vs New England Patriots

It Don’t Mean a Thing If it ain’t got that Swing!

Posted in Blues For A word Sorcerer, Uncategorized with tags , , , on September 18, 2020 by playthell

Remembering Stanley Crouch

BLUES FOR A WORD SORCERER

Alas, the sad news has reached my ears that Stanley Crouch, a unique tribune of our times, has danced and joined the ancestors. A poet, essayist, dramatist, short story writer and novelist. Stanley was by any objective measure a GREAT writer. A native of South-Central Los Angeles, Stanley began writing for the theater in a company that grew out of the great Watts riot of 1965. When I met him in 1968, he was a Poet in Residence at Pomona, one of the prestigious Claremont Colleges, just outside LA, popularly known as “The Harvard of the West.”

I was visiting the school as a guest lecturer to help make the case for the importance of Black Studies, add Stanley was part of the black campus movement attempting to establish a Black Studies Department. At the time he was a militant Black Nationalist, decked in a dashiki, dark shades with a big Afro, and had just produced a collection of weaponized words, radical poems titled: “Ain’t No Ambulances for No Niggers Tonight!”

It was clear that Stanley shared the view of writing advocated by the peerless word warrior, Ishmael Reed: “Writin is Fightin.”  And like Ish, his esthetic conception and literary concerns were shaped by the Black Arts Movement, which like the black cultural awakening in the 1920’s which is known to history as “The Harlem Renaissance, was also born in Harlem with the founding of The African Jazz Art Society in 1958.  The founders: Cecil and Ronnie Brathwaite, Max Roach and Abbey Lincoln, represented a cross section of the visual and musical arts.

The writers – especially Leori Jones aka Amiri Baraka and Larry Neal – greatly inspired and influenced him would come to Harlem from Newark via Greenwich Village, and Philadelphia.  And like everybody who were studying the extremely complex art of Jazz drumming, Stanley was profoundly influenced by Max Roach, the most influential innovator in improvisational percussion of the 20th century. These influences, deeply rooted in Black Cultural Nationalism, inspired and shaped Stanley’s poetic style.

Despite being far away on the western frontier in The City Of Angels, Stanley herd the word, as it was being transfigured and weaponized by cultural warriors in Harlem’s hip black coffee House “The Truth.”  A gathering place for Black revolutionaries on the political and cultural front, word sorcerers weaved dreams with the magic of the spoken word.  Poetry that made our spirits dance and fortified us for the liberation struggle.

Roland Stone aka Yusef Rachman, Ed Spriggs, Calvin Hernton, Roland Snellings, aka Askia Muhammad Toure, Leroi Jones aka Amiri Baraka, Larry Neal, Jayne Cortez, Soyna Sanchez, Aisha Rachman, were all born of this black cultural awakening in Harlem.  And as these Black Bards traveled across the country like circuit preachers spreading the good word, the Black Arts Movement caught fire.  Chit-Town produced Amus Moore and Don L. Lee  aka Haki Madibuti, and LA gave us Stanley Crouch, one of the most able of the radical Black Nationalist bards.

Although he would eventually fall under the tutelage of the celebrated novelist/essayist Ralph Ellison, and Blues Philosopher Albert Murray, weighty intellectual hep cats from our parent’s generation,  and reject Radical Black Nationalism, abandoning his leftist literary comrades, he remained a literary pugilist.   And would later savagely skewer those comrades in a critically acclaimed collection of essays: “Notes of A Hanging Judge.” For which he was awarded the highly prestigious “MacArthur Genius Award.”

‘Stanley would become one of the most decorated writers in American letters. Primarily an essayist, Stanley wrote on a variety of subjects, but his greatest distinction was as a masterful critic of the quintessential American art of Jazz, which he correctly viewed as the contribution of US civilization to the canon of great art. I discovered his love for Jazz the first time we met. After my speech he invited me over to his crib to hang out, and he had a set of drums in his living room.

Having once played the drum kit myself but had long abandoned them for the Afro-Cuban Conga drums, I had remained a fan and was interested in hearing him play. He put on a record and began to play along. He said he was working on “some different stuff,” that he was not ready to reveal. Among the students hangin out was the young lady who later became the famous television star “Judge Mable, and a young saxophonist I believe was Davis Murray, who became one of the truly original voices on the tenor sax.

After that visit I did not see Stanley again until about six years later, when we met again in New York. But I had followed his brilliant column “Crouch on Jazz,” which was published in Players magazine, a black version of Playboy. I thought they were the most elegantly crafted insightful was essays I had ever read on the art of Jazz. There was a grandeur to his conception of the music that set his writing apart from the common lot of critics, even in the Big Apple, where good writers are common fare.

Crouch’s writings on Jazz conjured up the observation of Zora Neal Hurston in a letter to James Weldon Johnson – two great early 20th century Afro-American writers who migrated from Northern Florida to the Big Apple just like me – when she said: “We are a people who love magnificence and cannot get too much of it.” In New York he joined the staff at the Village Voice, an incubator of great music critics. From his conspicuous prestigious perch at the Village Voice, Crouch quickly became the most outstanding Jazz critic in the big Apple…the world capital of Jazz. And his influence was such that Stanley became an intellectual mentor to the trumpet genius and brilliant composer Wynton Marsalis, and he was a major force in the creation of “Jazz Lincoln Center,” the nation’s most important monument to Afro-American culture!

Known as “the writer’s paper,” and the “home of the New Journalism,” the Voice, with its reverence for fine English prose and creative storytelling, was the perfect place for Stanley, as the editors prized the individual writers voice – especially the great Bob Christgeau, who edited Stanley’s finest essays penned during his tenure at the voice. Several of which ended up as award winning anthologies.

Stanley really blossomed at the Voice, as he branched out from Jazz criticism and wrote about art, literature and politics. Although the subjects of his interest changed, his pugnacious poetic style didn’t, concocting a prose style that prized poetic simile and metaphor. Often his prose seemed to dance off the page, animated by the polyrhythmic phrases.

A lover of literature, I was bewitched by Stanley’s compositions and avidly read his texts. In conversations about various and sundry issues, Stanly began to chide me about writing more, At the time my writing was limited to a few academic treatises published in obscure journals, and the lyrics to songs I had written for a great singer with whom I was smitten.

Stanley began to chide me to write more. He would say: “Listen man, it would be so easy for you because you speak in essays.” His comment really got my attention because Mike Thelwell,  my colleague at the University of Massachusetts who is a great writer and professor of Black World literature, had told me this a couple of years earlier as he pushed me to write, but to no avail.  I was a voracious reader, and I was always telling him about something I had read. But one day he said to me: “You know why you read so much? Because reading is a lot easier than writing!”

He badgered me until I began to take myself seriously as a writer. And once I started I have been unable to stop having now written hundreds of serious essays…1000 of them posted online at www.commentariesonthetimes.wordpress.com. I have written for some of the finest publications in the English language, here and in England. Along the way I have won several awards, and two Pulitzer Prize nominations for Feature Writing and Distinguished Commentary. The nominating letters are posted at Commentaries on The Times. I was in my forties when I began to write seriously, and had it not been for Stanley’s insistent prodding and encouragement, I might never have pursued a writing career. We became serious intellectual sparring partners for years.

In 2003, Stanley and I was commissioned to write a book commemorating the 100th anniversary of Dr. WEB DuBois’ classic American text: “The Souls of Black Folk.” Since I was a co-founder of the WEB DuBois Department of Black Studies at the University of Massachusetts in 1969, one year after our first meeting – the first free standing, degree granting, Black Studies department in the world, and acquired Dr, DuBois’s voluminous papers – and held a professorship in history there, we agreed that I would write the historical overview, reconstructing the intellectual milieu, in the US and Germany – that shaped DuBois’s education and worldview.

Reconsidering The Souls of Black Folk” consists of two complex essays in intellectual, cultural and political history and criticism centered around the historical context, text and legacy of “The Souls of Black Folk” and its brilliant author. The book was selected for discussion at the opening session of the National Black Writers Conference, sponsored by Medgar Evers College in Brooklyn, and hosted by the Studio Museum of Harlem. C-Spans Bhttps://www.c-span.org/video/?176136-1/reconsidering-souls-black-folkook World covered the event, and I have appended the link to their video below.

See> https://www.c-span.org/video/?176136-1/reconsidering-souls-black-folk

It Don’t Mean a Thing If  Ain’t Got That Swing – Duke Ellington Orchestra 1943,  https://www.youtube.com/watch?v=qDQpZT3GhDg

Playthell G. Benjamin

Harlem, New York

September 2020

Had I Spoken at the Democratic Convention

Posted in Uncategorized on September 1, 2020 by playthell

This is What I Would Have Said

Friends, truth seekers, country men, lend me your ears!  I have come to speak the unvarnished truth about the historic choice that confronts us in the coming presidential election.  In choosing a President, the person who will serve as the chief executive of our government and Commander-In-Chief of our awesome armed forces – including our doomsday nuclear arsenal which can destroy our planet in a flash – what matters most is character and competence. Our guy, Uncle Joe, has both in abundance.  An embarrassment of riches!

Alas the other guy has a severe deficit of both.  Indeed, I think it fair to say: If character and competence were ink, Dirty Don tha Con wouldn’t have enough to cross a T, or even dot an I!   Since the good character, humble demeanor and humane vision of Joe Biden has been roundly attested to and duly praised by the high and the humble, from the suites to the streets, in a hail of poignant panegyrics worthy of a hero or a saint, and his competence for the high office he seeks has been duly demonstrated from decades of public service, and the wise counsel he provided President Obama that helped make him the GOAT, the Muhammad Ali of the political arena – The Greatest of All Times – I shall concentrate on the deficits of Devious Dangerous Donnie Dimwit.

In her eloquent, wise and extraordinarily relevant address to this convention our beautiful and brilliant former first lady Michelle Obama, once more implored us to take the high road, when the nasty amoral Trumpanzees who have converted the Grand Old Party into the Grand Obstructionist Party “go low.”  However, despite the fact that I fairly worships the ground she treads upon, I must dissent.  I find the position of former Attorney General Eric Holder much more to my liking: “When they go low…kick em!

It is in that spirt that I critique the cretin that is presently befouling the White House.  I feel this is of singular importance because no one thus far, in the flurry of florid oratory, rich in metaphor and elegant turns of phrase, pregnant with intellectual gravitas, none has flagellated the scurrilous scoundrel to my satisfaction.  I would bet my bottom dollar that when Uncle Joe comes up to speak, he will also fail to flog the foulhearted fool with a fitting flagellation!  For he is a Christian gentleman, and thus it is in his nature to forgive the transgressions of knaves and blaggards, to seek the higher ground that Lady Obama commends.  Hence the task of whipping Trump’s treacherous treasonous jive ass in the fashion he so richly deserves falls to me.

It is a calling I joyously accept!  For I am as perfectly suited to this…as killer whales to water.  Indeed, I feel born to this role, to this moment. For I am neither a Christian, a gentleman, and certainly not a lady!  In my comments about the present occupant of the Oval Office – I hesitate to refer to him as “the president” because, like the late great congressman John Lewis, I do not consider his “election” to be legitimate. Aside from the fact that he was trounced by Hillary Clinton in the popular vote by a three million majority, our intelligence agencies tell us that Russian military intelligence posted a million and a half disinformation messages attacking Hillary and supporting Trump.  And both the Mueller Report and the bipartisan Senate Intelligence Committee Report concluded that the Trump campaign welcomed Russian interference in behalf of the Moscow Candidate.

Hence, rather than address  Devious Donald as “President,” I have decided to follow his example of labeling everyone he disagrees by a negative nickname – “Crooked Hillary,” “Shifty Shift,” “Sleepy Joe,” “Sloppy Steve,” et al.  And I remind his Christian apologists of the biblical injunction: “Ye shall reap what ye sow.”  It has been a revealing exercise, since there are so many negative nicknames that suits Don Tha Con perfectly!

After covering Ditzy Donald’s presidential campaign, crack reporter Matt Taibbi wrote a book about the candidate titled “The Insane Clown President.”  It would be hard to find a titled that so accurately describes its subject, indeed history has proven Taibbi prescient in his projection.  For Trump has turned out to be just that…and worse.  In an interview on Democracy Now, with the highly informed veteran Journalist Juan Gonzales, Taibbi described his impressions of Dopey Donald after observing him closely for two years: “He is the perfect foil to reflect everything that is tasteless and vulgar and disgusting and cheap and greedy about American culture.”

Although Taibbi refers to Donnie Dimwit as “insane,” it is used as more of a symbolic rhetorical device.  However, there is compelling evidence that Trump is suffering from serious psychopathologies, and it affects his behavior in the political arena. A group of psychiatrists and psychologists became so troubled from watching his antics on television that they felt the nation should be alerted to the fact that we have a dangerous sociopath running the nation’s affairs.  And the published a book to do just that titled “Duty to Warn,” describing his psychopathology as “Malignant Narcissism and Paranoia.”  In the beginning it was less than twenty doctors who advanced this theory, but as Deranged Donald has continued cut the fool before the world the number of doctors who now lend their names and reputations to the Duty to Warn statement number upwards of 70, 000!

Many of these doctors constitute the elite of their profession, and they are not deterred from forming opinions on Trump’s mental state because of the “Goldwater Rule,” which argues that in order to assess a persons mental state the doctor must personally examine them, and we should not be deterred from referencing their opinions based on an antiquated rule which was a political act rather than a scientific finding.  In fact, as many of you know, the CIA regularly relies on this kind of psychiatric profiling of foreign leaders when advising the President and Congress on matters of national security and foreign policy.

In fact, this diagnosis was introduced into the psychiatric  literature by the distinguished German Psycho-analyst Eric Fromm, a refugee from Nazi terror living in the US, when he was contracted by the OSS, Office of Strategic Services, to develop a psychiatric profile of Adolph Hitler!  Hence, we have a President of the United states who suffers from the identical psychopathologies as the most destructive political leader of the 20th century!

This fact should keep us all awake at night, every night, when we consider the fact that this sicko is in command of our nuclear arsenal.  That he literally has the power to destroy the world!   And our nuclear chain of command does not have the failsafe checks on the Commander-In-Chief that the ordinary citizen thinks it does.  That’s why the Bulletin of Atomic Scientists, the world’s foremost experts on the probability of accidental nuclear war, has the hands on their Doomsday Clock poised at seconds to midnight! To their everlasting credit, Senator Ed Markey and Congressman Ted Lieu recognized the grave danger this poses and authored a bill to do something about it by requiring congressional consent before Dangerous Donald could launch a nuclear first strike.  But the bill never saw the light of day, because our political leaders found other issues more important…more urgent.

The indisputable truth is that although there is much criticism of The Donald’s myriad moral and mental shortcomings, his missing marbles, few understand the depth of the danger the world is in every minute this crazy corrupt charlatan remains in the White House.  Alas, we have received numerous warnings, the latest coming from his own niece, a PhD psychologist who has observed his antics from a front row seat for decades, and has written a book calling Dastardly Donald: “The world’s Most Dangerous Man!”

The evidence of his mental maladies is everywhere manifest.  One only needs to watch his act, his ongoing live reality show, in order to identify the symptoms.  The Malignant Narcissist believes the world revolves around him; that time moves when he moves.  It is his show 24/7, the world is his stage and the rest of us are but minor players upon it.  Hence, in his mind he knows more about war than the generals and more about medicine than the doctors.  He understands the Corona-Virus better than the scientist who have spent a lifetime studying it.  And when their prescriptions for suppressing its spread differs from his they are all involved in a plot against him, a conspiracy by the “Deep State” “to make him look bad.”  That is the paranoid component of his madness wedded to the dangerous Megalomania.  And while he claims to be a proud grandfather, his decision to pull the US out of the Paris climate agreement to halt global warming, which along with nuclear war threatens the extinction of mankind, makes him the worst grandfather ever.

Deadly Donnie believes he understands world events better than the intelligence agencies that American taxpayers provide billions annually to fund.  And he routinely dismisses their findings when they disagree with his gut feelings, even refusing to read their detailed presidential briefing papers. Which explains why he refused to act on the CIA warnings about the Corona-Virus developing in Wuhan China long before it became a Pandemic, which led to the disaster we are now coping with.  He has declared himself a “stable genius” who alone understand and can fix the complex problems facing the nation.  In fact it was just such a statement that first led me to draw a connection between Don that Con and Adolph Hitler, whom his first wife said he so admired that he kept a volume of Adolph’s collected speeches on his bedside table.

But before I learned anything about his strange fascination with the German autocrat, or the fact that they suffered from the same mental maladies, I wrote an extended essay titled “Is Donald Trump a Uniquely American Fascist?”  This treatise was inspired by the fact that Hitler had made the same claim, the language was slightly different but it was the same in essence: “It All depends on me.”

What stood out for me was that both of these supreme egotists had conflated the nation and their personality into one entity.  This is why The Don feels that any criticism of him is “Treason,” a charge whose definition in the Constitution is unbeknownst to this pugnacious narcissistic ignoramus.  But this misunderstanding, coupled with Dirty Don’s grandiose conception of himself, is the key to understanding his personality and how it affects his often bizarre behavior.

To those who loudly protest that “Trump is no Hitler,” I readily agree.  For one thing Hitler was an aspiring artist and a connoisseur of the arts and architecture.  Hence when the Nazi armies marched into Paris, they had strict orders to preserve the art and architecture.  Donnie Dumbass, ignorant philistine that he is,  had to be restrained from ordering the bombing of ancient temples in Iran, priceless irreplaceable architectural and art treasure from ancient Persia.  The cultural heritage of all man the Iranians have preserved from antiquity. Alas, uncultured white trash that he is, this meant nothing to Donny Dimwit!

In the famous scene of Hitler entering Paris in his motorcade, the first stop he made was to visit the world-renowned Paris Opera House, where he toured the building to admire the architectural design.  He was a lover of great music who founded the annual Bayreuth opera festival, which celebrates the magnificent music of Richard Wagner, performed by great artists from all over the world.  Hitler was also an impassioned Nationalist, just as Donny Drumfp claims to be, but when time came to answer the call to arms in defense of the national interest, Hitler was a brave solder in combat and Don tha Con was a draft dodging coward, whose rich corrupt daddy bought him a phony medical report that falsely claimed he had a handicap that rendered him unfit for military service!

Hitler was a reader and student of history; Donnie Dimwit won’t even read his daily presidential briefings.  Hitler had a political philosophy and wrote a book to define it…Trump believes in nothing beyond building his brand, basking in the admiration of his acolytes, and making money.  And while Hitler spent his leisure visiting art exhibits and attending performances of classical German music, Trump was hanging out with lowlife child molesters like his ace boon coon Jeffery Epstein!   By now the shocked listener feels compelled to cry out: But Hitler was the most evil man that ever lived, how can you compare him to Trump?”

To wit I quote my grandfather’s defense: “I ain’t told a word of a lie yet”  Alas, facts are stubborn things…they persist even when they are embarrassing, inconvenient or discrediting.  In a burst of sophistic apologia by the Evangelicals who have entered a Faustian Bargain with this Devil, or a pitiful final attempt by Trumpanzees to salvage their savior,  they offer a final protest:  But Hitler killed Six Million Jews, and sparked a world war that killed 50.000 million!  President Trump has committed no atrocity that approaches Hitler’s crimes.   I readily concede the point.  However I caution you that if Deranged Donald is elected to another four years in the Oval Office, given his assault  on efforts to stem climate change, and his carless child-like infatuation with nuclear weapons, he could end putting forces in motion that will extinguish all life on planet earth…making his fellow German authoritarian, who like Donnie Drumfp attributed his “genius” to German blood – look like a small time butcher!

Hence, in dealing with this dangerous tragi-comic joker, we must arm ourselves with an unadorned understanding of who he is.  As the late Afro-American poet Maya Angelo warned: “When a person shows you who they are the first time…believe them!”  Hence in negotiating with Dirty Don tha Con we must always remember that we are dealing with a mentally ill, amoral, dangerous, Big Apple flim flam man who needs to “win” at any cost.  He is not a statesman, and he neither knows nor cares about how to govern.

The late Republican speaker of the House Paul Ryan – a wonkish fellow for whom mastering and making policy was a joy – said after one meeting with The Don: ”The guy knows absolutely nothing about government.”  This is who he is…it is what it is alas, and we must act accordingly: When he goes low kick him!  We owe it to generations yet unborn to get his evil charlatan out of the Oval Office ASAP!  This is the task history has assigned to enlightened Americans in the coming election.

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Playthell G. Benjamin
Harlem New York
September 1, 2020

 

NOW LET US PRAISE A GREAT ARTIST!

Posted in Uncategorized on September 1, 2020 by playthell

IN REMEMBRANCE OF CHADWICK BOSEMAN

Three Reviews of his Magnificent Performances

For lovers of cinema, Chadwick Boseman has provided many magnificent moments with his marvelous performances on the Giant Silver Screen. I have loved the movies since I was a boy, bewitched by the magic images dancing around on a giant silver screen as we sat in awe staring in a darkened room. In the movies one could be transported anywhere in the world and out of this world.

But, alas, there was no Chadwick Boseman when I was a boy, and no movies like the ones he made. Movies that celebrate the beauty, bravery, heroism, and nobility of our collective spirits. A spiritual gravitas that enabled us to struggle in the savage wilds of North America and emerge four centuries hence strong, gifted and black…”with our souls in tact’ That’s why I write about the arts. Although I consider writing about politics a duty, writing about the arts is pure pleasure. Yet the time and effort I can devote to the task is limited, hence I only write about the MASTERPIECES!

Brother Boseman, who lately danced and joined the ancestors, was a sterling example of the best of the Afro-American cultural tradition – a tradition forged in the fires of persistent struggle over four long treacherous centuries, in which the Euro-American majority subjected Afro-Americans to unimaginable trials and tribulations. All the while being forced to recite drivel about Living in “the land of the free,” where “all men are created equal,” with freedom and justice for all,” when we knew it was a gargantuan lie! This is the real “American Exceptionalism”

Although to speak this obvious truth to white power would often invite disaster, despite your First Amendment right to say so. Colin Kapernik being a conspicuous example! That’s why the movies of Chadwick Boseman are essential tools to better understand our experience. For he has brought our heroes to life on the giant screen in living color. By brilliantly portraying such iconic figures as Jackie Robinson, Thurgood Marshall, Jessie Owens, James Brown, et al, he not only celebrated their greatness in bravura performances, he also brought to life the struggles of Afro-Americans in a country that is dedicated to the preservation of White Supremacy as I write.

Although I am always writing a treatise about something or the other, as my patron saint Dr. WEB DuBois said – “Something done and something doing” – writing about the arts is almost a guilty pleasure for me during these troubled times. I share Frederick Douglass’ unease when he was asked by fellow activist, and thoughtful intellectuals, how he could squander time and talents writing about the emerging art of photography while the country was being torn apart by the Abolitionists Movement, Civil War, and Reconstruction?

In truth, these are questions asked by well meaning philistines, sincere people with good intentions yet miss the meaning of art in our lives. Although politics determines our life’s chances, since it is the process by which power is created and distributed; the arts stimulate our imagination, nourish our souls, and make our spirits dance. Often the arts have been called upon to illuminate the power of the Gods!

In ancient traditional African societies, “Art of art’s sake” was a foreign idea, as all art had an organic connection religious ritual. The art of Chadwick Boseman strikes a close communion with the Ancestor Veneration Rituals of traditional African societies. The “Igungun” ritual of the Yoruba’s, a civilization from which many neo-African cultures of the Black Atlantic Diaspora of the America’s derive.

The function of these rituals was the celebrate the ancestors by evoking their spirits as we honored their virtues. That’s what Chad Boseman did in marvelous, heroic, performances on the silver Screen. A fundamental function of art everywhere is to imagine things unseen, to create new visions of human possibility. That is one of the major functions of myth making, and story telling, a function essential to all humanity, because the homo sapian sepecies alone have this gift!

This is accomplished magnificently in the movie Black Panther, where we see Chadwick Boseman in what will no doubt be his most influential and remembered role: The wise and brave King of the mythical African Kingdom of Wakanda, which captured the imagination of people all over the world, broke box office records, and presented our children with a superhero worthy of them!

REVIEWS:

Bio-pic of Jackie Robinson – Some Reflections on Forty Two” at https://commentariesonthetimes.me/…/some-reflections-on-fo…/

Bio-pic on James Brown: “Get On Up,” at https://commentariesonthetimes.me/2014/08/12/get-on-up/

BLACK PANTHER at https://commentariesonthetimes.me/…/black-panther-a-cinema…/

Chadwick Boseman as James Brown in “GET ON UP!”

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Playthell G. Benjamin

Harlem, New York

August 28, 2020